The Cask of Amontialldo - 1026 Words

Never Have Too Much Pride The insult had been done, and Montresor was out for revenge on Fortunato. Not a soul but Montresor knew what the insult may have been, but this is what makes the short story â€Å"The Cask of Amontillado† by Edgar Allan Poe. The story is about a man, Montresor, who receives a wine that Fortunato, the wine expert, is looking for. During a carnival, Montresor persuades Fortunato to take him to his personal wine cellars, located in the catacombs. Fortunato became impaired, Montresor takes this opportunity to chain him to the catacomb wall. He then proceeds to build a brick wall, isolating Fortunato, which eventually leads to his despairing death. The theme to this short story is having too much pride will lead you to†¦show more content†¦You are rich, respected, admired†¦.† (Poe 167). This is ironic in the story because Montresor knows that he is going kill Fortunato, but he is showing concern so that Fortunato does not get suspiciou s. In some aspects, Montresor could be saying this because he was contemplating on whether or not he shall kill his fellow â€Å"Friend.† The short story â€Å"The Cask of Amontillado† is filled with many levels of irony. The fact that Fortunato prides himself as a wine expert; he is the one that brings on his death. If he would have let his obsession with wine go, especially the Amontillado, Fortunato would not have died such a miserable death. Poe is an excellent writer, and this story is one of many where the tone is dark, depressing, and deadly. Poe leaves us with many questions, such as, what insult did Fortunato do to Montresor to cause him to burry Fortunato alive? But this goes back to Poe being an excellent writer, if he would have told us, then the story would have so much suspense, and maybe even then there would not be as much irony. So, even though Fortunato considered himself a wine expert, he may have been to conceited about it, and his pride took over h is actions and thought. Don not let your pride drive you to your death. Works Cited Lewis, Paul. â€Å"Poe’s Humor: A Psychological Analysis.† Studies in Short Fiction 26.4 (1989):Show MoreRelatedThe Cask of Amontillado and Hills Like White Elephants577 Words   |  3 PagesAnalysis of â€Å"The Cask of Amontillado† by Edgar Allan Poe amp; â€Å"Hills Like White Elephants† by Ernest Hemmingway Analysis of â€Å"The Cask of Amontillado† by Edgar Allan Poe Abstract â€Å"The Cask of Amontillado† by Edgar Allan Poe, is a short story about a man named Montessor who gets revenge on one of his â€Å"friends† named Fortunado by trapping him and burying him alive. Treatment Setting: Two kinds Plot: Man gets revenge on his â€Å"friend† Characters: Montresor, Fortunado, Montresor’s family

Market Failure Of The Pharmaceutical Industry - 1245 Words

Market failure appears when there is a failure in allocation of goods and services. When the market is unsuccessful, the government is called to intervene and correct the failure. Over the years, government participation in the pharmaceutical market has been more wide-ranging than any other good or service. With the government’s ability to regulate, mandate, inform, finance and provide, their intervention to overcome market failure can be beneficial for the economy. Market failure plays a significant role in today’s economy. Pharmaceutical industries are a prime example. There are several possible reasons as to why and how market failures might lead to such high prices for drugs. Information asymmetry is the most critical form of†¦show more content†¦Moreover, patients often have less knowledge than the prescriber does about the appropriateness of the drug, where it can be very misinforming for the consumer. Lastly, drug efficacy is a problem in all contexts. Since stakeholders are likely, less informed than manufacturers it causes both the consumer and prescriber to depend on the manufacturer for information of the effectiveness of the drug (Bennett, Quick, Velasquez, 2016). Externalities, also viewed as the negative spillover effect, plays a role in market failures associated with pharmaceuticals. In the pharmaceutical sector, externalities take place when consumers affect the utilization of a drug’s value. Externalities typically stop consumers from receiving cheaper costs for drugs because they normally don’t carry the complete costs of drug expenses. Negative externalities induce a cycle of ongoing sales, more profits and more subsidies. Thus, if externalities are left to be controlled by a market then the implications will lead to high pricing on products. Recently, there had been a controversy over the rise in pharmaceutical costs involving the EpiPen in the United States. The EpiPen, also known as adrenaline/epinephrine, is a widely used injection that is used to treat allergic reactions. This generic drug has been available for many years. The EpiPen controversy is a prime example of how monopolyShow MoreRelatedPharmaceutical Industry : The Biggest Profits1579 Words   |  7 Pages Of all the innovation businesses in industry, the pharmaceutical industry produces the biggest profits; in 2013 five of the pharmaceutical giants made net revenue of more than 20%. The United States represented almost 50% of the worldwide pharmaceutical market, and at the forefront was the United States pharmaceutical mammoth Pfizer.(Anderson, 2014) The pharmaceutical industry is ethically unique because of its capacity to impact innumerable lives by improving the quality of life or by providingRead MorePatents And Its Impact On The World1254 Words   |   6 Pagesapplicable to industry. Patents were initiated for many reasons including providing property rights for accomplishments of people along with preventing market failure to occur through free riding. While patents provide many benefits to the world, many side effects or disadvantages have resulted from these ownerships of rights which have led to many temporary monopolies. One large impact which patents have had on the world is the impact on access to medication through pharmaceutical companies. TheRead MoreWhy Companies Should Have Patents On Their Medications And How A Pharmaceutical Company Can Recover The Costs1685 Words   |  7 Pagesprocesses a pharmaceutical must take to bring a new medication to the market. It will answer the questions as to why companies should have patents on their medications and how a pharmaceutical company can recover the costs connected with failed drugs. It will look at one company that was both effective and unsuccessful in its endeavor t o bring a new drug to market and explain what lead to their prosperity/disappointment. Of all the innovation businesses in industry, the pharmaceutical industry acquiresRead MoreThe Effects Of Counterfeited Drugs On Pharmaceutical Companies1643 Words   |  7 PagesCounterfeited Drugs on Pharmaceutical Companies The market for counterfeit pharmaceuticals has grown exponentially in the last five years. According to an estimate published by the Center for Medicine in the Public Interest in the USA, â€Å"Worldwide sales of counterfeit medicines could top US$ 75 billion this year, a 90% rise in five years† (WHO, 2010). This massive rise has greatly affected pharmaceutical companies and law enforcement agencies. 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As we know the industry have to work on growingRead MoreMergers, Acquisitions, And International Strategies In The Pharmaceutical Industry1846 Words   |  7 PagesContents Introduction 2 II- Mercks acquisition of Inspire Pharmaceuticals 3 Background 3 Rationale 4 III- Target firm: Inspire Pharmaceuticals, Inc. and its business corporate strategies 5 Business level strategy: 6 Corporate level strategy: 6 IV- Merck Co., Inc and its international consolidation strategy 6 Business level strategy 6 Corporate level strategy 7 References 8 Introduction Pharmaceutical industry is currently going through a phase of mergers and acquisitionsRead MoreEvaluation Of A Performance Management System1220 Words   |  5 Pagesperformance appraisal (PA) study in the Pakistan pharmaceutical industry, which identified critical performance factors that account for most negative perception among sales employees, the performance appraisal process and the organization. The case focused on making comparisons between the PA systems of Pakistan’s pharmaceutical national companies (NCs) and multinational companies (MNCs). In Pakistan, the pharmaceutical industry is the 11th largest market in the Asian Pacific Region and the largest employmentRead MoreEssay on The War on Pharmaceutical Companies1171 Words   |  5 Pageswhen discussed among people. No matter what, at one point or another, everyone is going to stand as a victim of the pharmaceutical industry. The bottom line is Americans are paying excessive amounts of money for medical prescrip tions. Health-Care spending in the U.S. rose a stunning 9.3% in 2002, which is the greatest increase for the past eleven years. (Steele 46) Many pharmaceutical companies are robbing their clients by charging extreme rates for their products. It is said that name-brand prescription

Succubus Shadows Chapter 18 Free Essays

string(39) " the air from the warmth of his mouth\." It started before I could stop it. I stood in a kitchen, in one of those dreams where I was both watching me and feeling me. The kitchen was bright and modern, far larger than anything I could imagine a non-cook like me needing. We will write a custom essay sample on Succubus Shadows Chapter 18 or any similar topic only for you Order Now My dream-self stood at the sink, arms elbow deep in sudsy water that smelled like oranges. I was hand-washing dishes and kind of doing a half-ass job at it but was too happy to notice. On the floor, an actual dishwasher lay in pieces, thus explaining the need for manual labor. From another room, the sounds of â€Å"Sweet Home Alabama† carried to my ears. I hummed along as I washed. I was content, filled with a joy so utterly perfect, I could barely grasp it after everything else that had happened in my life – particularly after this imprisonment with the Oneroi. After humming a few more bars, I set a wet cup on the counter and turned around to peek into the living room beyond me. A little girl sat in there, about two years old. She was on a blanket, surrounded by stuffed animals and other toys. She clutched a plush giraffe in her hands. It rattled when she shook it. As though sensing my gaze, she looked up. She had plump cheeks that hadn’t quite lost their baby fat. Wispy, light brown curls covered her head, and her hazel eyes were large and framed with dark lashes. She was adorable. Behind her on the couch, Aubrey lay curled up in a tight little ball. Godiva lay beside her. A delighted smile spread over the little girl’s face, creating a dimple in one cheek. A powerful wave of love and joy spread through me, emotions that my raw and aching real self barely allowed to come through. Just like the first time I’d dreamed this dream, I knew with certainty – absolute certainty – that this girl was my daughter. After a few more moments, I returned to my dishes, though I wanted nothing more than to go back to the living room. Damned manual labor. Neither my dream self nor my waking self could get enough of the girl. I wanted to drink her in. I could have watched her forever, taking in those long-lashed eyes and wispy curls. Unable to resist – and bored with washing dishes – I finally gave in and glanced back again. The girl was gone. I pulled my hands out of the water, just in time to hear a thump and a crash. The sound of crying followed. I sprinted out of the kitchen. Aubrey and Godiva jerked their heads up, surprised at my sudden movement. On the other side of the living room, my daughter sat on the floor beside an end table with sharp corners, a small hand pressed to her forehead. Tears streamed down her checks as she wailed. In a flash, I was on my knees, wrapping her up in a tight embrace. Watching and feeling this dream, I wanted to weep as well over the feel of that soft, warm body in my arms. I rocked the girl, murmuring soothing, nonsensical words as I brushed my lips against the silken hair. Eventually, her sobs stopped, and she rested her head against my chest, content to simply be loved and rocked. We sat like that for another happy minute or so, and then, distantly, I heard the sound of a car’s engine. I lifted my head. â€Å"You hear that?† I asked. â€Å"Daddy’s home.† Mirrored excitement showed on the girl’s face as I stood up, still holding her and balancing her on my hip. It was an act of some coordination, considering how small I was. We walked to the front door and stepped outside onto a porch. It was nighttime, all quiet darkness save for a small light hanging overhead. It shone onto a long stretch of unbroken white snow on the lawn and the driveway. All around, more snow fell in a steady stream. I didn’t recognize the place, but it certainly wasn’t Seattle. That much snow would have sent the city into a panic, putting everyone on Armageddon alert. My daughter and I were perfectly at ease, barely noticing the snow. Wherever we were, this weather was a common occurrence. Down the driveway, the car I had heard had already parked. My heart swelled with happiness. A man stood behind it, a nondescript dark figure in the faint lighting. He took out a rolling suitcase and slammed the trunk shut. The little girl clasped her hands in excitement, and I waved my own hand in greeting. The man returned the wave as he walked toward the house. It was too dark, and I couldn’t see him yet. His face. I had to see his face. We were so close. This was where the dream had stopped before, denying me its conclusion. Some part of me was certain this was a trick too – that the Oneroi were going to do what Nyx had done and end the dream. They didn’t. The man continued walking toward us, and at last, the porch light illuminated his features. It was Seth. Lacy snowflakes rested in his messy hair, and I could make out some wacky T-shirt underneath his heavy woolen trench coat. He left the suitcase by the stairs and sprinted up them to get to us that much more quickly. His arms encircled us, and both my daughter and I snuggled against him. It might have been freezing elsewhere, but our little circle held all the warmth in the world. â€Å"My girls,† he murmured. He took one of his gloves off and ran his hand over the fine silk of our daughter’s hair. He brushed a kiss against her forehead and then leaned toward me. Our lips met in a soft kiss, and when we pulled away, I could see mist in the air from the warmth of his mouth. You read "Succubus Shadows Chapter 18" in category "Essay examples" He hugged us tighter. I sighed happily. â€Å"Don’t leave anymore,† I said. â€Å"Don’t do any more traveling.† He laughed quietly and gave me another kiss, this time on my cheek. â€Å"I’ll see what I can do. If it was up to me, I’d never leave.† But the dream left, shattering like pieces of glass that were then swept away by a broom. Whereas before I’d counted the seconds for these dreams to go away, this time I wanted to cling to it. The hands I didn’t have in this insubstantial form longed to grasp those shards, bloodying my flesh, if only to have a few more moments of that perfect, content bliss my dream-self had held. But it was gone. I was empty. For a long time, I simply couldn’t get over the dream’s loss. I was a tangle of emotions: hurt and anger and longing and incompleteness. It was all feeling, no thought. When coherency began to return, even it was a jumble. Seth. Seth was the man in the dream? Of course he was. Hadn’t I felt it from almost the first time we met? Hadn’t I often said he was like a piece of my soul? Hadn’t I felt like something was missing when we’d split up? Then, all the doubt that the Oneroi had been so good at instilling in me began to descend. It couldn’t be Seth. I couldn’t be with a mortal, not in any real capacity. I certainly couldn’t have a child with one, and anyway, Seth was marrying someone else. This was a trick. Another lie. Everything here was a lie, meant to continue the torment the Oneroi thought I deserved. â€Å"That can’t happen,† I said. The words were hard. And hadn’t I already said them earlier? Circles, circles. My life was repeating itself over and over. â€Å"None of that could ever happen.† â€Å"No,† agreed Two. â€Å"Not anymore. Your future shifted.† â€Å"That was never my future. You lie. Nyx lied. There’s no truth anywhere.† â€Å"This is truth,† said One. Another dream. A true dream? No, no. The part of me that was starting to lose it swore up and down that it couldn’t be true. There’s no truth anywhere. I was in the mundane human world again, with Seth and Simone-as-Georgina. They were at a tuxedo shop, browsing suits, and I futilely racked my brain to figure this out. Maddie had requested they go shopping†¦yet, surely it hadn’t happened that day. Or had it? Was this another day? How much time had passed? I couldn’t tell if these dreams lasted a second or a lifetime. The sky outside was deepening to twilight, so maybe it was the same day. â€Å"You don’t have to wear a bow tie,† said Simone, studying a well-dressed mannequin. She herself was dressed magnificently, in a tight dress that was an orange reminiscent of autumn leaves. It was short, of course, and emphasized my breasts as much as was decently possible – maybe more so. Bronze high heels completed the look. It was too fancy for tux shopping, but it looked great on her. Me. Us. Whatever. Seth wandered over to stand beside her, studying the suit. If there hadn’t been a salesman straightening a display near the door, I had a feeling Seth would have made a run for it. â€Å"It’s more traditional,† said Seth. â€Å"I think that’s what Maddie wants.† Simone scoffed. â€Å"So? What about what you want?† She took a step toward him. â€Å"You can’t just sit by and let others tell you what to do! You have your own needs. Your own wants. You can’t be passive here.† There was passion in her words, a conviction that even I couldn’t help but admire. It was the kind of speech that rallied people to your cause – but like everything else she’d said lately, there was this sexual subtext laced within it. He stared at her for a few seconds, as impressed as I was, but finally looked away. He also took a step back. â€Å"Maybe. But I don’t really feel like my life currently hinges on whether I choose a bow tie or a regular tie. I think I should save my heroic moments for something a little bigger.† He wandered off to look at another suit and didn’t see the scowl on her face that I did. Soon, she had that sweet smile on again and was back by his side – very close to his side – while they examined cuts, colors, and all the myriad details that went into planning a lifelong commitment. The salesman couldn’t stay away, of course, and finally swooped in to offer his assistance. â€Å"This jacket would be very flattering with your build,† he told Seth. â€Å"It comes in black and gray, as well as a few others – so it would definitely complement your dress.† That last part was directed to Simone. She laughed merrily. It was nails on a chalkboard to me. â€Å"Oh, we’re not getting married.† She patted Seth’s arm. â€Å"We’re just good friends. I’m helping out.† Seth moved away, escaping the arm, and suddenly seemed very interested in trying on the jacket. The salesman found Seth’s size, gushed with compliments, and then left the two of them to mull it over. â€Å"It looks great,† said Simone, coming to stand right in front of him. I couldn’t see any space between them. She casually straightened the jacket’s lapel, not that it needed it. â€Å"Fits you like a glove.† Seth grabbed hold of her hands, pushed them away, and then backed off himself. â€Å"You need to stop this,† he said, lowering his voice so others wouldn’t hear. â€Å"Stop what?† asked Simone. â€Å"You know what! The innuendoes. The touching. All of it. You can’t keep doing it.† Simone took a step closer, putting her hands on her hips. Her voice was soft as well, but it was more of a purr. What made it especially irritating was that, really, it was my voice. â€Å"Why? Because you don’t like it? Come on, Seth. How much longer are you going to keep fooling yourself? You know you still want me. This scam of a wedding isn’t going to change that. What we had†¦what we have is too powerful. I see the way you look at me – and you don’t look at her that way. You say I’ve got to stop? No. You’re the one that needs to stop this wedding. End it with her. Or if you don’t have the guts, then let us be together again. At the very least – just one more night. I want to feel you again, feel you in me. And I know you do too.† I was aghast at the boldness. I couldn’t believe what that bitch had tried to do. Impersonating me was bad enough, but now blatantly trying to lure Seth into her bed? Unforgiveable. I expected Seth to be outraged as well, but his face was the picture of calm. He took off the jacket and set it on a counter. â€Å"I don’t know who you are, but stay away from me. Do not speak to me again – or Maddie.† There was a stern, warning tone in his words, that anger I rarely ever heard from him. For once, Simone faltered. â€Å"What are you talking about?† â€Å"You aren’t Georgina,† he said. â€Å"I should’ve listened when my niece first told me. Georgina would never do this, no matter how she felt. Georgina wouldn’t openly try to break up her friend’s wedding. She wouldn’t betray Maddie.† Simone’s eyes flashed with anger. â€Å"Really? Then how exactly would you classify your little spring fling?† I wasn’t surprised she knew about that. Everyone in my hellish circle had figured it out when Seth’s soul darkened. His smile was both sad and cold. â€Å"Georgina did that†¦inadvertently. She was aware of what she was doing, but the motivations†¦well, they were different.† â€Å"Stop trying to justify infidelity. And stop talking about me in the third person!† â€Å"You aren’t her,† said Seth again. â€Å"I know her. I would know her in almost any form. And although you look like her, you – obviously – do not know her.† He turned around to leave – and ran into Jerome. Seth hadn’t seen Jerome enter or teleport into the shop. Neither had I. Yet, even if the demon had strolled in openly, I think Seth would have had the same astonished and deeply disturbed reaction. The cool attitude he’d shown with Simone vanished. â€Å"Sorry,† said Seth, stepping back. He glanced uneasily at Simone, who was just as surprised. â€Å"I’ll – I’ll leave you two alone.† â€Å"I’m not here for her,† growled Jerome. â€Å"What?† she exclaimed, seeming deeply offended. Jerome’s dark eyes bored into Seth’s. â€Å"I’m here for you. You need to come with me. Now.† When a demon tells you to do something, it’s pretty hard to refuse it. My friends and I might joke about the silliness of Jerome’s John Cusack guise, but underneath all that, Jerome was fucking scary. And when he turned his demonic wrath on a human, it was outright terrifying. Yet, with a remarkable show of bravery, Seth asked: â€Å"Why?† Jerome looked displeased that Seth hadn’t instantly jumped to obey. â€Å"To get Georgie back.† â€Å"Back?† repeated Simone. â€Å"But if she comes back – â€Å" Jerome lifted his eyes from Seth and glared at her. â€Å"Yes, yes, I know. But you might as well give it up. You failed.† â€Å"But I can – â€Å" â€Å"Clearly, you can’t.† Jerome strode over to her, leaning close to her face. He pitched his voice low, but I could hear it from my observer’s view. â€Å"This is not the way. I know why you’re here now, but tell Niphon that every time he tries to fix things, he ends up fucking up more. It’s too late. I’ll deal with this. It doesn’t involve you.† â€Å"But – â€Å" â€Å"Enough.† The word boomed through the store. The salesman looked up, startled, but kept his distance. â€Å"I didn’t question your presence before, but now you can go.† Ostensibly, it sounded as though he were giving her permission to leave. But both she and I could hear the underlying meaning: if she didn’t go on her own, he would â€Å"assist† her. She made no more protests. Jerome returned to Seth. â€Å"Georgina’s been taken. We’re going to get her back. And you are going to play a role in that.† Seth couldn’t speak for a moment, and when he did, it was to utter the most obvious response: â€Å"How?† â€Å"To start with, you can stop wasting time here with stupid questions. Come with me, and you’ll find out.† Jerome then made a masterful play. â€Å"Every moment you delay, she’s in more danger.† Nothing else could have spurred Seth into such action. He flinched at the words, and his face ran through a kaleidoscope of emotions. â€Å"Okay,† he said to Jerome. â€Å"Let’s go.† How to cite Succubus Shadows Chapter 18, Essay examples

Homer Winslow And Jules Breton Essay Example For Students

Homer Winslow And Jules Breton Essay Homer Winslow and Jules Breton, two men painting the canvas of the nineteenth century. Comparing their art gives birth to numerous differences and unique qualities hidden within their work and lives. Dressing For The Carnival, Homer 1877, and The Weeders, Breton 1868, are fine examples of their careers as artists. Beyond the aesthetic merits of his work, Breton is significant as the painter whose vision of French rural life best embodies a set of late nineteenth- century ideals: the charm and wholesomeness of rustic ways, the nobility of living close to the soil, the beauty of preindustrial landscape, and the social harmony of the agrarian community. Sturges Bretons work was unique in content, painting for himself, impressing his personal values to the viewer. Although he did not fit the mold, by producing classical and historical works, there were other artists struggling with expression and values of a newer mind, artists like Winslow Homer. While he was at work in Petersburg, it became known to a group of fine young fire-eaters that he was consorting with the blacks, and they resolved to drive him out of town as a d-d nigger-painter. Word had come to him that the place was to be made too hot for him, but he paid no attention to the warning. Hendricks Both Breton and Homer were leaders for impressionism, however, the two works mentioned above vary greatly. Both artists focused on similar subject matter, figures in a scene or landscape. However a closer observation of specific images, narrative, symbols, sources, and process divide the two pieces to separate sides of late eighteen hundreds paintings. Physical elements such as composition, position of figures in space, brush work, color, viewpoint, and surface treatment all contribute to this separation of similar subject matter. The composition of The Weeders is un cropped, fairly balanced and symmetrical. The foreground is bold, the middle ground is expansive and the back ground strong and deep. Our view is that of perhaps a weeder on the field. Homers Carnival is cropped and less symmetrical with figures emerging from off the canvas. Less emphasis is placed on use of foreground, in turn creating less depth. Bretons figures hold much movement and expression, women working the field are crouched close to the viewer. Farther back a woman stands alone, basket full, gaze and body positioned toward the setting sun. The women weeding are bent and tired. Homers figures hold much more static energy, their gestures are held firmly with out a potential for further movement, like a snapshot. They are mimicking and playful with much variation of size, adults and various aged children. This is easily observed because of the placement of the figures all standing in a line, all the same distance from the viewer. The figure is the focus of the viewer, with the background less important. The figures feet almost meet the bottom of the canvas, out view eye level. This horizontal linear figure focus creates a flow and path of the viewers eye from right to left. The The Weeders flow moves from foreground figures to middle ground left and finally the expansive deep horizon. Front to back as opposed to side to side. Bretons backward recession is also created using the crop lines in the dirt which carry us off into the distance. Bretons brush work is painterly and general compared to his classic roots, though his figures are quite detailed. The texture of the canvas can be seen because of his thin application of smooth layers of oil paint. Homers application and use of the brush is notably different. It is rougher, thicker, and much much more suggestive. Both artists use of color plays an important role in the overall effect of the painting on the viewer. Murals Wall Paintings And Frescoes EssayAt the age of four his mother died and he was placed under the care of nurses and some extended family. His early childhood was carefree and joyous, and though much of his time was spent playing in the gardens and fields with companions of inferior social position, he was not raised as a peasant. This open-minded up bringing perhaps influenced his attitudes of lower class laborers expressed in his work. He received a fine education at a Catholic seminary school and attended college of Douai. It is here that he discovered his talent and passion for art. He later studied at the Royal Academy and was guided by artists like Vigne, Haert, and Rude. He also studied at the Ecole des Beaux-Arts. Soon the Revolution was an impact on his life. At twenty years old he witnessed much violence but did not have a passion for Politics. Running from this turmoil, he returned home and found comfort there. This began his works based in Courrieres. Homer and Breton came from different backgrounds and financial situations. Homer was educated by his mother at a very young age whereas Breton was sent to the finest schools , only discovering his love for at at the age of twenty. These facts too explain the severe differences between these two works, and their works throughout their careers. However different their surroundings and subject matter, their works do share an extremely important quality, the type of message conveyed. Breton and Homer both looked passed what others accepted as everyday life. To these men life is more than the class you have been born into. There is an infostructure and roots to every society. And though these people may not be closely examined and accepted, these artists show those who do not stop to catch a glimpse of someone elses life that there is beauty and quality elsewhere. That is the goal of any good artist I believe, to educate the mind and stretch and stimulate the senses. Whether viewers reacted with appreciation or disgust, they were effected which is nothing but praise to an artist trying to show truth.